• TLV BIENNALE

Solart 350, 2018, Rama Amir

Updated: Mar 25, 2021


Photo: Hadar Saifan



What


Fabric, rust, flowers


Who


Rama Amir, b. 1967

Why



“I experimented with botanical dyeing by means of thermo-solar energy. I wanted the process to emit less carbon dioxide than heating on a gas or electric stovetop. I used solar energy, without knowing exactly how many days the cloth would have to remain in the container. I chose 350 as a symbolic time period – since a concentration of 350 carbon dioxide particles in one million atmosphere particles is the goal set by the IPCC for carbon emissions (the current level is 415).


I created a composition on a natural cloth, using petals that I collected and rusted parts of industrial machinery. I then folded it and placed it in a closed glass container on the roof. The result is a cloth that called out to me, scorched, and partially burnt, almost disintegrating. The flowers perished, leaving no traces.


Six years ago, I began studying the process of botanical dyeing. Initially, I was enchanted by the process and the unpredictable results. Over time, this interest became related to the overarching trends of ecological and sustainable fashion, natural dyes, and the avoidance of chemical dyes. Natural dyeing also represents the return to manual crafts and the preservation of ancient traditions. This is how our ancestors dyed cloth 4,000 years ago, and this process is still used today in Africa and India. The use of materials found in my immediate environment supports the return to local sources, while the native plants – which attest to trips and events in my life – are imprinted as souvenirs on a natural cloth.


Where


On display at the Glass Pavilion, Tel Aviv Biennale of Crafts & Design, MUZA – Eretz Israel Museum, Tel Aviv.